Painting what remains.
Fragments of landscape, memory and experience — transformed through colour, gesture and abstraction.
I’m drawn to what stays with us — a colour, a movement, a place, a fragment of something seen or experienced.
In the studio, these impressions are layered, interrupted and reworked until the painting begins to find a life of its own.
Somewhere between recognition and abstraction, a new landscape starts to emerge.
From experience to painting
Places are rarely painted as I saw them.
What remains are fragments — colour, rhythm, atmosphere and movement — that resurface later in the studio.
Paintings often develop side by side — each work influencing the next through colour, material and gesture.
